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Ooni launches Nigerian Breweries’ Goldberg’s Isedowo

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The Ooni of Ife, Oba Adeyeye Enitan Ogunwusi Ojaja II, has launched Goldberg’s empowerment scheme, Isedowo, by Nigerian Breweries (NB) Plc.

The event, which held at the palace of the monarch in Ile Ife, Osun State, was attended by prominent obas and chiefs from the Southwest.

The Ooni expressed his appreciation for the youth emancipation initiative and praised NB Plc for taking a bold step at improving the lot of small scale entrepreneurs in the Southwest region.

“I thank Goldberg lager beer and Nigerian Breweries for this community partnership with the Yoruba people. By leading the way to support the businesses and entrepreneurial potential of artisans in the Southwest, you have challenged other corporate bodies to give back to the society where they operate,” the monarch said.

The monarch called on all Yoruba youths, who are skilled in the trade, to grab the opportunity to showcase their business potential and be rewarded.

NB’s Marketing Director, Nigeria, Franco Maria Maggi, declared  that Goldberg was honoured to identify with the king through Isedowo. He added that the empowerment initiative presented a mutually benefitting union between the monarch, who is the custodian of the Yoruba culture, and Goldberg, a brand that not only respects the values and traditions of the Yoruba people, but seeks to empower young men and women in the region.

“We believe that as the custodian of the Yoruba culture, your blessings will rub off positively on Isedowo. It will set it on a path of achieving the objectives of positively transforming the lives of its beneficiaries, with spill over effects on the larger economy by way of increased job creation and income,” Maggi said.

The occasion also witnessed the rewarding of the first set of entrepreneurs who were selected as the best in Osun State.

Adeola Olajide, an auto mechanic from Abeokuta, Ogun State, who resides and works in Ile Ife, emerged as one of the beneficiaries and was rewarded at the occasion. He expressed his gratitude to Goldberg for the support, adding that the initiative was a welcome development.

“When I heard the news on radio, I realised this is one of a kind in this part of the country, and I decided to grab the opportunity. I am very happy to have emerged a winner and with my reward, I intend to buy equipment that would bring about ease in my business,” he said.

The company enjoined those who wished to benefit from its empowerment scheme to showcase their business ideas and how they would impact on the society at any of the Isedowo centres in the Southwest. There would be a screening of applicants and their business ideas. The top 100 participants would be rewarded with a grant of N300,000 each, totalling N30 million for all participants to support their businesses.

Goldberg is a leading supporter of culture through its Isedowo programme.

The post Ooni launches Nigerian Breweries’ Goldberg’s Isedowo appeared first on The Nation Nigeria.


When women artists tackled corruption with Art-titude

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Some 20 women artists from the Southwest, under the auspices of the Female Artists Association of Nigeria (FEAAN), are of the view that true change is possible, but it begins with attitudinal change. They are opposed to some pessimists, who doubt if truly the much-envisaged change will come. Their two-week art campaign-cum exhibition, tagged: Art-titude, which ended last Friday at the Yusufu Grillo Gallery, Yaba College of Technology, Lagos (YABATECH), supported their optimism. EVELYN OSAGIE reports.

The Yaba College of Technology (YABATECH)  was alive for two weeks with brilliant displays of diverse artworks that left guests spellbound.

For two weeks, the prestigious Yusufu Grillo Gallery was set aglow with drawings, paintings, ceramics, sculptures, photography, textiles, installation and mixed media by 20 women artists from the Southwest.

Tagged: Art-titude, the exhibition-cum art campaign, which came to a close last Friday, was put together by the Female Artists Association of Nigeria (FEAAN), in collaboration with Yaba College of Technology (YABATECH).

From the theme, one could see that the artists were making a special case for attitudinal change.

Curated by Taiwo Sorunke of YABATECH, the exhibition featured over 40 works, highlighting themes around women, in addition to corruption, politics, agriculture, security and environmental degradation, among others.

“The exhibition and its theme is a call for change in attitude, for unity, for creativity and all that the woman in Proverbs 31 stands for,” began FEAAN Vice President Dr Stella Awoh, adding: “It is not about feminism, but we have chosen a united voice to call for a change, especially of attitude, through our arts. Corruption is attitudinal. To change Nigeria would require a change in our attitude.”

Decrying the dearth of women practising art in the country, Awoh attributed this to lack of proper art empowerment, art infrastructures, art policy and support from government and society. While encouraging women artists, who have lost their brushes in the face of the bedevilling challenges, to pick them up again, she said there would be another opportunity for women to exhibit again in November/December.

“We can sustain this mandate/exhibition yearly through the support of all, including the government, corporate bodies, art lovers and the society at large. We are grateful to the project team and YABATECH for the support. We are looking forward for more partnerships with the school, other galleries to give us their space for free and corporate and government support,”she said.

Over the last 10 years, FEAAN has held several exhibitions, touching on social, political and gender-based issues. Art-titude, according to FEAAN National President, Mrs Ngozi Akande, is a maiden edition by its members based in the Southwest, led by the Southwest Coordinator, Mrs Ayoola Omovo.

The artists included Awoh, Omovo; Secretary of the Southwest Zone,  Clara Aden; the zone’s Public Relations Officer (PRO), Mayen Owodiong; the zone’s Treasurer, Queen Nwaneri; Nike Okundaye Tabitha Odigli; Dr Rita Doris Ubah; Rev. Abigail Lemon; Patience Anthony-Euba; Oluchi Zom; Jaachinman Nwaje; Funmi Akindejoye; Jane Nwaopara of YABATECH; Titilayo Omuighe of YABATECH; Aisha Idirisu; Hafsat Kabir Zayanu; Evelyn Osagie (Senior Correspondent with The Nation; Esuru Belema Ichoku and Sophia Omon Igbinovia.

“For over a decade, we have been celebrating women and womanhood every March 8 as International Women’s Day by showcasing inspiring and provocative artworks of Nigerian women artists, each telling their unique story. This exhibition, which ran from August 18 to Friday, September 1, is another initiative that seeks to encourage and give women artists visibility. It is also part of our mandate of empowering women by creating platforms for them to exhibit. It is also part of our drive to reach out to more women artists all over Nigeria through the zones,” Akande said.

The exhibition drew notable names from the art community, including art scholars, curators, art enthusiasts and students.

At the unveiling were former President of the Society of Nigerian Artists (SNA),  Kolade Oshinowo; the Dean of YABATECH School of Art, Design and Printing, Kunle Adeyemi; Ato Arinze, a sculptor; Emodi Tony, an artist and Rasheed Amodu, an artist.

Oshinowo called for more of such initiatives and partnerships, urging more women artists to come forward with their talents.

Adeyemi said: “It is no news that Nigerian art sector is rich with talented women. However, there is need for increased support for the womenfolk. Art-titude is another splendid contribution by talented Nigerian women to the art world. I commend the display of talents and quality of works being exhibited. More needs to be done to harness the talents and energies of these women. Their contribution has its impact on the art world and Nigeria.”

Sorunke reiterated Adeyemi’s words, observing that women in the arts have suffered under-representation in Nigeria’s contemporary art community.

“The works are communicative, challenging and play significant role in the society. The exhibition is an expositive of ‘green’ areas which the stakeholders have hitherto not looked into. We, at the school of art, YABATECH, are more than ready to encourage fundamental development that will project contemporary art when it has to do with the collective will of our women. We will as much as possible encourage the world gender balance,” he added.

The post When women artists tackled corruption with Art-titude appeared first on The Nation Nigeria.

Solanke is latest icon of Living legends

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last Thursday, in a serene location at the New Bodija area of Ibadan, Oyo State capital, Chief Folake Solanke was a special guest of five Nigerian artists.

Decked in her silk regalia, she sat for four hours (with breaks at intervals) before the artists, who expressed their artistic interpretation of her sitting profile from various perspectives, Solanke, the first Nigerian female lawyer to be conferred with Senior Advocate of Nigeria (SAN), also became the first female and latest icon of the Living Legend Project.

The artists were Taiwo Fadare, OlusegunAdejumo, Akinola Ebenezer, ToromadeTosin and Olu Ajayi. Chief Solanke, the first lady of silk, was  selected as the first female to sit for the prestigious Living Legend Foundation live drawing project.

Chief Solanke described the project as very unique and highly cerebral, praying that good fortunes attend the living legend innovation, and may God continue to elevate the initiators. She added: “I am very elated to be included on the same pedestal to the previous documented legends, the likes of Prof. Wole Soyinka, Prof. Yusuf Grillo, Dr. Bruce Onobrakpeya and the late Oba of Benin, OmoN’ObaN’Edo, UkuAkpolokpolo (Oba Erediauwa), Prof. J. P. Clark and General Yakubu Gowon (rtd).’’

She asked the initiator how the project was being funded. Olu Ajayi, responding, said fund has been a sore part for the unique project, as corporate Nigeria are yet to see the project’s viability. “They are only interested in a short-term project with huge profit. Though, the project received funding from NNPC during the Yakubu Gowon edition, all other editions have been personally funded,” he added.

Before the drawing started, 14-year- old Oluwanimi Adeniji read Chief Solanke’s citation . Also, Living Legend initiator, Olu Ajayi, read an excerpt from her autobiography titled: ‘Reaching for the Stars’, which she received with joy, saying that passage brought pleasant memories.

The life painting started at 3:45pm, with Solanke dressed in full regalia of the first lady of silk, sitting graciously like a queen for one hour, while the artists engaged in drawing and painting, with soft music at the background.

At the close of the painting, Mrs Solanke was led by the project curator to view the mounted paintings, which showed the artists’ expression of the Legend’s resemblance  and character in various perspectives.

The Living Legend Project,  a non-profit initiative was started in 2008, documenting  esteemed African personalities (icons), who are making great impact and creating legendary footprints that will make for scholarly artistic references in the near future.

It adopt the medium of drawing, painting, sketching and sculpting to create and immortalise ‘Legend, thus creating a Hall of Legends’.

This process of painting the immortal deeds and accomplishments of these Nigerian/African/ international icons, is expected to ignite the spirit of emulation; re-awake national consciousness, history and patriotism. It will locate the intercession and intervention of the Art in the nation’s development.

The project has so far documented the following personalities: Prof. Wole Soyinka, Prof.Grillo, Dr. Bruce Onobrakpeya  and the late  Oba of Benin (OmoN’Oba N’Edo, Uku Akpolokpolo, Oba Erediauwa), Clark and Gowon.

Solanke was born in Abeokuta on Tuesday, March 29, 1932 to the illustrious family of Chief Jacob Sogboyega Odulate, alias: The blessed Jacob, otherwise known as ALABUKUN of Ikorodu, who made his name and fame in Abeokuta. He was a pharmacist and the proprietor and founder of Alabukun Patent Medicine Stores, Sapon, Abeokuta, Ogun State. Her father was the inventor and manufacturer of Alabukun powder and many other medical products. His photograph is depicted on the popular Alabukun power sachet, which consumers take for instant relief from all ailments. It was a delight for us, as children to work in our home factory during school holidays, followed by a sumptuous feast after the factory activities.

Her mother, Sekumade Odulate died young when she was only two years old. She attended kindergarten and primary schools in Ago-Oko, School and Imo Girls’ School, Abeokuta.

In 1944, she sat for the entrance examination into Methodist Girls’ High School, Lagos.  With spectacular result, that she was placed in form II instead of Form I.

She attended Methodist Girls’ High School, Lagos from 1945 to 1949 where she obtained the first Grade I in the Senior Cambridge School Certificate Examination and was a School Prefect and Games’ Captain.

She worked for a few months at the Ministry of Lagos and found the clerical work there unbearably boring and was relieved to leave the ministry.

Chief Solanke left for the United Kingdom in January and was a student at King’s College, Newcastle-upon-Tyne, then in the University of Durham and now the University of Newcastel-upon-Tyne, from 1951 to 1955, where she obtained B.A. degree and Diploma in Education, teaching Latin and Mathematics as a resident teacher in two fee paying public schools to wit:Pipers Corner School, Great Kingshill, High Wycombe, Bucks, and St. Monica’s School, Clacton-on-Sea, Essex.

She taught the same subjects at Yejide Girls’ Grammar School (1958-1960), Ibadan. She got married to the love of her life, Dr.Toriola Feisetan Solanke in London in 1956, who later became a Professor Emeritus of Surgery, before he passed away in 2001.

In 1960, they returned to England where she worked as a Students’ Officer at the Nigerian High Commission, London (1960 – 62). She also studied Law at Gray’s Inn, where she passed all the Bar examination in 22 months and was called to the English Bar ‘in-absentia’ in May 1963 in London.  She also enrolled as a Lawyer in the Supreme Court, Lagos, the same month and year.

In 1981, she was elevated by the Supreme Court of Nigeria to the prestigious rank of  Senior Advocate of Nigeria (SAN) – the equivalent of Qeen’s Counsel (QC). in England, the first female lawyer to be so elevated. She has been practising serious advocacy for over 52 years and not tired.

In 1981, she joined the prestigious Zonta International – a global organisation of executives in business and the professions, working for the advancement of women. The new focus is “Empowering Women through Service and Advocacy. Zonta has clubs in about seventy (70) countries of the world. She is a member of the Zonta Club of Ibadan. She rose, by elections, through the ranks.

In 1992, in Hong Kong, by divine grace, she achieved what was thought to be impossible by being elected the first non-Caucasian (non-white) Zonta International President for 1994-9196. Her biennial theme was: “Zonta in action: Women’s Health, Human Rights and World Harmony” (The “triple H” concept).

Her biennial performance has been positively acknowledged by all and she is welcomed at Zonta Conventions all over the world with much respect and affection.

The post Solanke is latest icon of Living legends appeared first on The Nation Nigeria.

Conference on Nigerian art holds in Tate Modern

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A major international conference that will explore new positions on West-African modernism, before and after independence, will hold at Starr Cinema, Tate Modern Bankside, London, United Kingdom on September 28 and 29.

Tagged Positioning Nigerian Modernism, the conference, which  holds during the centenary of pioneering Nigerian artist Ben Enwonwu, is jointly hosted by independent curator Bea Gassmann de Sousa, and curator, International Art, Tate Modern, Kerryn Greenberg.

It is a unique opportunity to examine strategies of cultural independence and to reflect upon the impact of transnationalism and de-colonsation in art criticism and museum collections today.

Positioning Nigerian Modernism will kick off with a keynote lecture by curator, art historian and author of Postcolonial Modernism: Art and Decolonisation in Twentieth-Century Nigeria Prof. Chika Okeke-Agulu.

This will be followed by  conference featuring four sessions: Modernism and Independence in West Africa, The Formation of National Identity and Preservation of History, Knowledge and Legacy: Unexpected Tropes and Collecting Modern African Art: 1950–2017.

This landmark event brings together major institutions and thinkers at the forefront of post-colonial and transnational thought and practitioners of these approaches in a global institutional context.

 

 

 

 

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Remembering Okpewho one year after

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The life and works of the late United States-based Nigerian award-winning novelist Prof Isidore Okpewho were celebrated recently at Yale University, United States and Asaba in Delta State to commemorate the first anniversary of his death, Assistant Editor (Arts) OZOLUA UHAKHEME reports. 

last Monday literary scholars, family and associates of one of the foremost scholars of African Oral Literature and award-winning novelist, the late Prof Isidore Okpewho, converged on Asaba, Delta State capital, to commemorate his one year anniversary.

The literary evening, which held at Hotel Benezia, Asaba was organised by the Delta Literary Forum (DLF) and featured special readings from two of Okpewho’s award-winning books, The Victims and The Last Duty, short critiques, eulogies, anecdotes and other commentaries.

Okpewho, who died on September 4, last year in the United States at 74, had novels, such as The Victims, The Last Duty, and Call Me By My Rightful Name to his credit. They reveal a profound fictive acumen at work.

In the US, his family gathered with friends to share memories, stories and prayers at his graveside in celebration of his rich life and legacy. According to Prof. Nduka Otiono, a notable mentee of  Okpewho, within this first year of the death of the author of over a dozen books, intellectuals from various parts of the world have acclaimed the genius of Okpewho as a distinguished man of letters.

Among several activities held posthumously in his honour was the special roundtable on his life and workS at the African Literature Association (ALA) conference at Yale University, which was described as particularly noteworthy.

Chaired by the ALA new President, Prof. Adeleke Adeeko, the roundtable featured associates and speakers who had been taught by Okpewho and who had become professors in North America.

An ex-student of the late Prof Okpewho at University of Ibadan, Oyo State, Dr. Sola Balogun, now a lecturer at Theatre and Media Arts Department, Federal University Oye-Ekiti, described the late Okpewho as an astute scholar, brilliant and committed academic who combined scholarship with creativity almost on equal terms.

“He taught me African prose in my second and third years at the University of Ibadan. I remember his popular novel, The Victims, which was on the list of West African Examinations Council (WAEC) recommended texts for many years and one of the texts that we studied as undergraduates.

‘’The late professor was a talented teacher who imparted the values of hard work and excellent scholarship into us. He was an inspiring lecturer whose class and lessons addressed diverse issues about life and society, particularly the pains and plights of the hapless Africans and their development challenges. He will surely be remembered as one of the gifted lecturers who gave the English Department at the University of Ibadan its pride, good image and respect in and outside Nigeria,” Balogun recalled.

One of Nigeria’s celebrated writers, columnists and Viebranz Visiting Professor of Creative Writing at St Lawrence University, Canton, US, Ndibe said: ”Okpewho’s passing last September came to me as a devastating development—even though I had been aware of his infirm state for some time. The shock came not just from the fact that Okpewho was one of that rare breed, a Renaissance man whose intellectual accomplishments were of the first order and ranged over the vast ground of the humanities. There was that—a fact that means that, even in death, his name, reputation and work, his memory, would never dim or lose their lustre but would remain vital. In the arena of Africa’s oral literatures, including the epic traditions, no other scholar came close to the scale, ambition, originality and insightfulness of the work that he did.

But, he was never content to bask in his staggering achievements as a scholar. His novels, including The Victims, The Last Duty, and Call Me By My Rightful Name, reveal a profound fictive acumen at work. If his profile as a novelist is not pronounced on a global stage, it is not, I suggest, because his novels lag in imaginative power and stylistic dazzle. Instead, I think it’s the case that literary scholars, already in awe of his pre-eminence as a scholar, had a hard time figuring out how to acknowledge his genius as a creative spirit.

In a world forged by human fantasy, a man like Okpewho, polyglot scholar extraordinaire, would never die, but remain forever among mortals, his capacity for consequential thought enriching and irrigating humanity. And yet, because he brought his intellect to bear on so many areas of knowledge production, he left us a rich and enduring legacy. He ensured that, though no longer in the physical realm, his voice and wisdom remain, escorting us, teaching and expanding us.”

Department of Global Interdisciplinary Studies Acting Chair, and Associate Professor of English, Villanova University, US Prof.Chiji AkÍma said it was difficult to believe that it has been 12 months since friends, associates and family gathered at the serene grounds of Gate of Heaven cemetery, East Hanover, New Jersey, US to bid their final farewell to departed Okpewho.

“On that late summer morning, the sun blazing, we committed Prof’s body to mother earth, a rite which, a year later, feels like yesterday.But it isn’t yesterday in terms of compressed time, for it would be impossible to recall the full length of Prof’s illustrious life and the impact he had on all those who encountered him at various epochs of his 74 years with us in one fleeting day.

“Time has flown quickly by, mercifully leaving intact fondest memories of a great husband and father, an illustrious patriot, and a consummate scholar and teacher. In his bereaved wife, children, grandchildren, siblings, a throng of friends and students, and a library of seminal and monumental publications, Prof lives on, a true iroko tree standing majestic in the public square, unperturbed by the passage of time,” he said.

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What’s Your Excuse?

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when Borislav and DusankaVujicic were told they would have a baby, they could hardly contain their joy. It was ‘a dream come true’. The pregnancy period was full of joyful anticipation. When the delivery day finally arrived, on December 4, 1982, Dusanka delivered her delightful baby, or so she thought until she asked the nurses about the health of her son and they couldn’t respond. When she directed the same question to the doctor, he revealed that the baby had a Phocomelia syndrome. She had worked as a midwife, so she knew what the term meant. The baby had a rare disorder resulting in the absence of arms or legs! Shocked, she refused to see the baby or hold him when the nurse held him out to her. She couldn’t understand how three sonograms did not reveal any complication. Eventually, Borislav and Dusanka accepted their son’s condition and raised the child as a dedicated Christian.

However, this article is not about Borislav and Dusanka; it is about Nicholas James “Nick” Vujicic, the limbless child. The parents might have overcome their shock and accepted Nick but he had his entire life ahead of him. As a child, Nick struggled mentally, emotionally and physically. He battled with loneliness, depressionand bullying.

He consistently wondered why he was different from other children. Finally, he came to terms with his condition and found his strength in God. He had to learn to stand up by pushing against the wall with his head and slowly standing upright. Gradually, he converted his obvious limitations to his greatest asset. He found his purpose in giving hope to the hopeless.

Stop to think for a moment. You have hands and feet you are practically taking for granted. You stand and walk without even thinking. You eat with ease. You comb your hair. You type on your computer. You use your phones. Imagine for a while the limitations you would encounter without your hands and feet. Someone else would rather die than live like that, but not Nick.

Without hands and feet, Nick Vujicic graduated from Griffith University at age 21 with a Bachelor of Commerce. He had his first speaking engagement at age 19 and has since spoken more than 3, 000 times. Nick has spoken in more than 57 countries on five continents and has met with several government officials and presidents.

He founded a motivational speaking company, Attitude is Altitude. He is also a Christian evangelist. Nick also starred in a short film that won an award at a film festival. He has appeared on several TV shows and has authored several books. More importantly, he is happily married with two children.

Out of curiosity, I watched some of Nick Vujicic’s videos on YouTube and could not believe my eyes when I saw him swimming, playing gulf, typing, surfing and skydiving. I couldn’t help but wonder what else Nick would have done if he had hands and feet! Obviously, he is not allowing anything to limit him. On the other hand,most of us are busy looking for reasons why we can’t achieve our goals. Here are a few lessons I got from Nick:

  • Life may not be fair but it is waiting for your response. It is not what life offers that matters but what you do with it.
  • Never live a life that is dependent on people. Stand on your feet and take responsibility for your life. You are not a liability but an asset.
  • Never settle for an average life when you can be the best. If Nick merely survived, we would have commended him for perseverance. However, he went far beyond that; be became a reason for others to hope.
  • Life and circumstances only suggest limitations to you; you are the one who imposes the limitations on yourself.
  • You can find your purpose in your situation, no matter how tough.
  • You may be rejected by many but you are someone’s masterpiece.
  • Succeeding in spite of your challenges makes you an inspiration; giving up robs you of yourhonoured place in history.
  • People who are ‘less fortunate’ are making the most of life; if you don’t, you don’t deserve your good fortune.

You will surprise yourself if you make the most of what you already have.

Please share your comments with me by visiting www.olanreamodu.com and following me on twitter @lanreamodu.

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Church marks 150th anniversary with exhibition

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The 150-year-old Cathedral Church of  St. Jude, Ebute-Metta, Lagos, last week opened a photo exhibition titled: Faces, Structures and Moments, as part of activities marking the church’s anniversary, Assistant Editor (Arts) Ozolua Uhakheme reports.

Archival photographs dating back to over a century formed the core of collections on display at the Young Men Christian Union Hall (YMCU), Cathedral Church of St. Jude, Ebute Meta, Lagos.

The exhibition tagged: Faces, structures and moments, which opened last Tuesday, featured a wide range of photographs that captured, among others, some faces, structures and moments in the 150-year-old history of the church, established following the settlement of Christian refuges from Abeokuta.

Leading the collection are photographs of the church’s early leaders (14 of the 18 vicars of the church). They included Rev J. S. Williams (1895-1901), Rev. Canon James Pearse (1901-1938), Rev T.O. Dedeke (1939-1955), Venerable A. A. Efunkoya (1961-1964) and Rev Canon J. S. Adeniyi (1967-1970).

Also on display are historic photographs, showing different stages and moments in the life of the YMCU, dating back to when the union was nine years till date. Examples of such photographs are YMCU @9 in 1950, YMCU @45 in 1986 and YMCU @65 in 2006. Photographs of major events such as readers’ procession in the 90s and Osinbajos and YMCU members, Ikenne, in 1965/1966 are also on display.

Other photographs showing the transformation of the structures include the old vicarage, Tejuoso chapel, Bethany house and the tree shaded hall. The exhibition, which will remain open for two weeks, kick-started the church’s process of rebuilding its memories and records.

The 150th Anniversary Committee Vice Chairman, Mr Lanre Idowu, said one of the objectives of the exhibition is to enable the church start the process of rebuilding its memories and archives, noting that much of important records such as photographs have been lost to poor records keeping and handling. He said it would also rekindle parishioners’ interest in keeping record in order to assist the church to ‘digitally archive them and return the original to the owners’.

On how the church was able to source its exhibits, Idowu said: “We appealed to parishioners to share with us these images we are showing. We also looked into church records, but we had lost a lot of these photographs. Part of what this exhibition will do for us is to begin to restore our records, hoping we can build on it. This will also rekindle parishioners’ interest in keeping their records in order to digitally archive them and return the original to the owners.

“The church has no fewer than 18 vicars. And photographs of 14 out of the 18 past vicars are on display at the exhibition. But two parishioners have promised to provide two of the four photographs of the vicars. The photographs of the first two are, however, still missing, which are Rev. Faulkner and Rev John White. There are still some exhibits to be added, which were not ready at the time of curating this exhibition. Some of the exhibits will be part of a book that is in the works.”

According to Idowu, the collection on display has been faithful to the exhibition theme: Faces, structures and moments. This, he said, explained an aspect of the anniversary as the church  would re-enact the struggle. He disclosed that there would be a dance drama presentation, which will tell the exodus of the expelled Christian refugees following a clash between them and traditionalists in Abeokuta.

“That exodus will be presented in a dance format. A lot has happened in the life of the church. A book is in the works on the church and this celebration gives us the opportunity to continue to dig for more facts about the church. St. Jude Church is the first church to be established on Lagos Mainland,” he added.

The exhibition was declared open by Ambassador Ebun Olu Taiwo and attended by guests, who included Bishop Emeritus Diocese of Mbaise, Rt Revd Bright J. E Ogu; Bishop, Diocese of Lagos Mainland Rt Revd Akinpelu Johnson, and Dean, Cathedral Church of St. Jude, Venerable Feyi Ojelabi

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Helping the helpless

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Health Emergency Initiative (HEI) has intervened in over 2,000 cases of health challenges since inception and has signed Memorandum of Understanding with 11 public hospitals to provide financial assistance to the needy. Oyeyemi Gbenga-Mustapha writes on HEI’s recent interventions to help needy patients in Lagos. 

For Mrs. Aina Shittu, whose daughter, Zainab, suddenly slumped and was rushed to the hospital, her joy knew no bound following the assistance by Health Emergency Initiative (HEI), a non-governmental organisation (NGO).

Mrs. Shittu recalled that her daughter couldn’t talk or walk or move her limbs: “We took her to the Federal Medical Centre (FMC), Ebute Metta, tests that run up to N10, 000 were prescribed. We gathered all we had and the results were out. The doctor then told us that her condition is medical and not surgical, and we were handed a list of drugs.

‘’Although Zainab was on the National Health Insurance Scheme (NHIS), it did not cover the drugs that she had to take because the cost was over N5,000 and she must take them daily for six weeks. My husband and I had exhausted all our finances and we were unable to pay for the drugs. It was then someone introduced us to Health Emergency Initiative (HEI), which took over her case and paid for the drugs. Today, I am happy my daughter is alive, hale and hearty.”

Sara Edet, a young expectant mother and housewife, was in her last trimester when she suddenly began to bleed. She went to the hospital immediately.

At the hospital, Mrs. Edet recalled that she went for a scan, and the result was not encouraging. After three days, her case was classified as critical and was referred for surgery. “The doctor said something should be done urgently to save the pregnancy. I was taken to a health facility at Surulere, Lagos for another test. By the time we returned for the surgery, we had spent all the money that we had and we had no money again for the surgery. It was the Health Emergency Initiative (HEI) that came to my rescue and paid all my bills. I have been safely delivered of my baby. I am so grateful,” said Mrs. Edet.

They are not the only people that have been assisted by HEI. The NGO believes in – ‘None should die’.

Another beneficiary, Mrs. Julie Nwokoma, put it in perspective.

‘’HEI assists the downtrodden and it is always timely and this is based on my experience,’’ she said.

She shared how she went to a hospital in Takwa Bay, Lagos and was told she couldn’t have her baby normally. This piece of information left her worried. “I was told my blood pressure was too high and was referred to the Island Maternity, Lagos. When I got there, I was taken to the theatre and told I could settle the bill after the surgery.”

Mrs. Nwokoma had her baby safely. But three days later when the hospital brought the bill, she was unable to pay. “My husband was out looking for money without success. I had left my children at home for several days, and here I was, in the hospital with a new baby, but unable to go home because we could not settle the bill.”

Mrs. Nwokoma said she was really worried and upset. “I burst into tears and my blood pressure began to rise again. I was crying. How HEI got wind of my case is still a miracle. They came around. The representatives told me they were from an organisation called the Health Emergency Initiative (HEI), for indigent patients and wanted to help. I was very happy. I stayed in that hospital for one month. They paid my bills and I was released. I am grateful.”

These are testimonies of some Nigerians out of many that HEI helped because they cannot afford healthcare services. They are so poor they cannot afford a square meal a day.

And that is why NGO is put in place, its Board of  the Trustees (BoT) Chairman, Dr. Ndi Onuekusi explained.

Onuekusi said HEI has intervened in over 2,000 cases since inception and has signed Memoranda of Understanding with 11 public hospitals so as to render financial assistance to the needy.

He said: “There are instances of people that cannot be discharged from hospital because they owe as little as N2,000. So many Nigerians are dying because they are unable to pay to obtain treatment even in government hospitals. But there are benevolent Nigerians that set up initiatives and organisations to take care of the medical needs of the indigent such as HEI. HEI can do more if we get sponsors and other financial help from people with human milk of kindness.”

Shedding light on the mode operandi of the organisation, Onuekusi said the financial provision for healthcare is an area of ignorance in Nigeria.

“What HEI does is to provide assurance of prompt settlement of bills for the indigent to obtain access to health care in public hospitals.

“The HEI programme for indigent patients is especially for indigent Nigerians some of who die because they are unable to pay as little as N2, 000 for medical bills. HEI also takes care of patients detained for inability to settle their treatment bills and has intervened in about 150 patients in 20 hospitals. There is no burden whatsoever on the beneficiary. Beneficiaries are decided on the basis of need. This is a needs-based initiative and support only. The beneficiary does not have to register or know anybody, but only has to qualify for the support to be provided.”

Onuekusi said HEI was raising funds to assist the indigent with health problems. “What HEI does is provide assurance of prompt settlement of bills to obtain access to health care in public hospitals. Medical health care is generally expensive and many die because they cannot afford it. The ordinary medical care is being made available to the indigent by HEI.

The BoT chair said: “No health system can be functional if it does not obey three basic organisational rules of effectiveness, efficiency and equity. First, it must be effective, that is, it must do what it is supposed to do. Second, it must be efficient by do it at the least cost possible. Third, there must be no discrimination between the rich and poor.”

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Society for the blind celebrates white cane day

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It was a beautiful day to remember as students, members, trustees and executive council members of the Federal Nigeria Society for the Blind (FNSB) stormed the National Stadium, Surulere,  Lagos to walk for fitness and also celebrate their annual White Cane Day.

The event tagged “Fitness Walk for sight 2017” is a yearly event to celebrate the White Cane day and create awareness for members of the public to the effect that being  visually impaired is not the end of life.

Council (FNSB)Asiwaju Bola Osibo, told The Nation that the white cane day is a public enlightenment programme of the society started 12 years ago to  draw the  attention of the public to the plight of the blind and partially sighted persons in our society.

“The white cane is a universal symbol with which you recognise a visually challenged person. It simply means that when you see a person with a white cane, you should recognise him/her as being visually impaired or blind and it is everyone’s responsibility to lend a helping hand. The list of support the public can give is endless,” he said.

The centre’s Principal, Mr. Nicholas Obot, said 7 students of the centre are not labeled as blind but referred to as visually impaired since they are opened to a number of opportunities to empower them for integration into the society.

The fitness walk kicked off at 7:00am from the National Stadium, where some visually impaired persons with their white canes as guides walked down to Costain Roundabout.  They made a stopover at GlansvilLimited, where they were addressed by a representative of the company, who thanked the society for showing concern to the visually impaired and also expressed optimism about seeing them again next year.

The walk continued from  Glansvilback to the National Stadium, where everyone present were entertained to good music, drinks, food from De United Foods Limited and  the skilful display of stunts by Bad Gang power-bike riders.

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‘I dropped out of school to save my family from starvation’

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For 18-year-old Chinonso Obasi, it is survival first before any other thing.  As a Senior School,  SSII pupil, he  dropped out of school,  to stay with his  father in a traditional clinic, and to also work to support his mother  so that his family would not starve. He shares his travail and desire to go back to school with Chinyere Elizabeth Okoroafor.

THE living condition is bad enough. Family of six children and father and mother in a dingy shop, converted to a room, is the life anyone who had a choice wouldn’t want to live. But that is Chinonso’s reality. Every morning, the 18-year-old wakes up to the shrieking crow of a cockerel, maybe two, in his neighbourhood. The pattern in his home, as he describes it, is more or less regimental and pitiable. His mother, father and the last child in the family sleep at the left corner, right under the wooden hanger, while the other four children share a mat by the right corner, opposite their elder sister and baby, whose mat is covered with an old duvet. He, on the other hand, gets his night’s sleep on a brown mat, spread on the floor just outside the ‘room’.

Once awake, he usually sits in front of a tailor’s shop next-door to gaze at the rising sun and watch early risers go about their business on the long, gully-ridden street. At moments like this, his mind often drifts to the one wish he’d love accomplish in life, school. More than anything, Chinonso would like to go back and finish his secondary education. Then, he’d like to go a step further and study business administration in a university, and then own a transport business. Even by merely expressing his wish in words brought a peculiar glow to his face, like someone who had just been shown a clip of his beautiful future.

 ”It makes me feel like God is going to direct a person that will help my situation. Dreaming, somehow, seems like the only place left to escape the nightmare that is my reality,” Chinonso says rather softly in Igbo language. A native of Isu Eda in Afikpo Local Government Area of Ebonyi State, Chinonso, perhaps because of the situation he finds himself, is the hardworking type. He doesn’t like to wait for his siblings to complain of hunger before making something available for them. As a result, he’d pick up any job, provided it is legal, to make sure that hunger is killed in his family.

Chinonso’s neigbourhood of Jazz Avenue in Iba New Site, Ojo, Lagos, is not such a bad area. Unlike normal shops, the front of his family’s ‘apartment’ is permanently locked, while an entrance door is built at the back with a shade and a little space that serves as veranda. A short distance to the far right, is a deep hole, covered with a large zinc, where human waste is improperly disposed. Nearby, behind plantain trees, is an improvised bath; and not too far from the veranda is a little shade, where firewood cooking takes place. Aside these, the compound looks well-kept and calm, indicative of a quiet family. A larger part of the compound is utilised for growing various plants and green vegetables, but smell of burnt refuse and filth still breezes in every now and then.

In spite of everything, Chinonso is grateful and proud that his family has a roof over their heads. ”If you find yourself in poverty, you don’t have much choice, you manage whatever you have with joy; you keep getting up every day and try to make the best of it.” He reasoned. Having dropped out of school two years ago, Chinonso belongs to the vast and invisible tribe of out-of-school teenagers reeling in poverty and hustling for daily bread in a most unequal society like Nigeria.

But Chinonso did not just drop out of school. His father’s illness and an urgent need to stand as a father to his siblings caused it.

”I was in Iba Housing Estate Secondary School, an art student in SS2, when my father woke up one morning and couldn’t feel his right hand and right leg anymore. We were all devastated. You know that when a person is hit by stroke, he is practically unable to do anything physical anymore. My mother quickly took him to our hometown for traditional medication. After some weeks, she called to say that my presence was needed urgently. She said taking care of my father alone was too much for her and that my grandmother was too old to support her.  So I rushed to the village to join them. That was the day I decided that school should wait, until things got back to normal and I’m able to continue.” He says.

In the village, Chinonso’s story wasn’t a pleasant one. The one week he waited for his grandmother to come back from the village where his father was been treated before he could finally join them was the first time he truly experienced hunger. With little or no food, he managed to survive until his grandmother returned and took him to the village called Owutu, in Ebonyi State.

”From the junction, to where my father was receiving treatment is very far; it is a very long bushy road –  with no house whatsoever until we got to the traditional medicine man’s place. When I got there, my mother decided to come back to Lagos to take care of my siblings but my father declined. My aunty, who was looking after my siblings, had nothing much to offer in terms of finances, having lost her job much earlier; and my elder sister had left home to God-knows-where. I assured my father that I could take care of him but he insisted that my mother stayed, arguing that I alone would not be able to take care of him or withstand the pressure. After sometime, I decided to go back to our hometown, because there was no food at the medicine man’s place; it was only when grandmother brought food for us that we ate, ” he recalled.

Back in his hometown, Chinonso said he went in search of any available menial job, just so he could support his grandmother in providing food for the family. After a while, an uncle of his visited and advised him to follow him to Aba to hustle for jobs with better pay.

”That sounded attractive and I quickly accepted. At least I would be able to send some money to my father and also raise enough money to pay my transport back to Lagos to look after my siblings.”

At Aba, his uncle, who is a bricklayer introduced him to carrying blocks and mixed sand at building sites. Chinonso managed the job, until he was able save enough money to pay his transport back to Lagos. To his relief and delight, he met his siblings healthy and in one piece. Back in Lagos, his topmost desire was to immediately return to school and continue from where he stopped, but then, there is an urgent need for the very basic need of food. He and his siblings have to feed and in the temporary absence of both his parents, he knew he occupied the unenviable position of head of the family and has to look for means of feeding them.

His words, ”There’s nobody in my family who could take care of us or who was strong enough to go out and hustle for us to feed.  I didn’t know how to take hunger to school, I didn’t know how to learn with empty stomach; and I didn’t know how to stay hungry all day and night without any hope for food. Also, there was no money to buy textbooks and other school materials. So I decided not to resume school, so hunger would not continue dealing with us and push us in to irresponsible acts.”

In the absence of a better job, Chinonso started where he left off in Aba, taking up labourer’s jobs at building sites, and wherever he found one. With this, he was  able to feed and support his siblings who were still going to school.

When his parents returned to Lagos, he made a move to go back to school but the stark reality, as it stared at him in the face, was that it will cost a lot of money, which was not yet available. As much as he longed to go back to school, he knew he was still trapped in poverty.

Quite like the teenager whom the responsibility of adulthood has suddenly come upon, Chinonso reflects, ”Helping my mother to hustle for our daily bread is a struggle that never seems to end and whatever we make is just never enough. I still want to finish secondary school, write WAEC and go to university.”

Since his parents came back to Lagos, his mornings has more or less been a routine of going to the nearby Iyana-Iba market to buy wares for his mother and then out to forage for menial jobs- any kind. “I usually feel pain after carrying blocks and mixed sand at building sites, so I have slowed down on that. I don’t hustle like I used to, so now I have time to sit freely with my mum and chat and help her with her petty business.”

Looking down timidly and biting his nails, Chinonso, says he looks forward to financial help from any magnanimous Nigerian or organisation, so he could return to school. With the rigours he’s already gone through, he already figures that education is the only tool with which he could chase poverty from his life permanently. He admires the successful businessman/industrialist, Aliko Dangote and hopes to emulate his success, when he finally gets the chance to explore his love for the transport sector.

Chinonso’s story is just one out of millions of children battling with overwhelming poverty globally, most especially in the underdeveloped and developing countries. It is a situation that calls for urgent intervention from governments of the various countries, as the figure keeps increasing. According to UNICEF, more than 10 million Nigerian children are out of school and living below the poverty line. But if government promises of social welfare is anything to go by, Chinonso should have little problem getting back in school and pursuing his dreams. But unfortunately, things have not been that easy. Like many before him, he is a school drop-out, battling hunger, lack and doing odd jobs for survival. More disturbing is the fact that however hard he works, it is just not enough.

Reflecting, Chinonso says he keeps praying that things get better in Nigeria, hoping that that will also affect his situation positively.

”Sometimes I get emotional and angry at my situation and the situation in Nigeria,” Chinonso says. ”The struggle never seems to end; it is so frustrating and I wonder why. I pray that the government makes things better, so that we could have hope, at least enough to help me reach my potential.”

Any hope in sight?

The question therefore arises: Is there really hope? Is there any help for children like Chinonso, who are caught in between suffocating poverty and struggling to survive out there?

Maybe there is. In President Buhari’s 2016 budget speech, he did amplify his campaign promise of social welfare programme, which targeted an estimated 25 million vulnerable Nigerians. Even at that, such promises aren’t novel. From the National Poverty Eradication and Empowerment Programme (NAPEP) by the then President Olusegun Obasanjo administration, to the Subsidy Re-investment and Empowerment Programme (SURE-P) by immediate past President Goodluck Jonathans regime, and even beyond; there have always been lofty ideas and programmes in this regard, except that none has been able to meet up with the formidable challenge. None has clearly helped in keeping out-of-school children in school or providing hungry children with food. That 110 million Nigerians still live below the poverty line is a monument to the abysmal failure of these various policies and programmes.

Chinonso’s reality

Chinonso and his mother at the moment are combined breadwinners of the family. Even though he makes very little from his unskilled efforts, which barely lasts a day or two, it remains critical for the family’s survival. Meanwhile, his mother, who hawks abacha, an Igbo appetizer also known as African salad does not make much either. She, along with Chinonso, has to do everything she can to support the other children who are in school and her husband, Mr. Obasi, who has still not fully recovered from the stroke and so cannot work or contribute financially to the upkeep of the family.

“There is hardly anything left to save; money is usually spent as they come and it’s never enough to meet up with our needs. And I wish it wasn’t such a struggle to get help.” He reflects further.

But still, Chinonso hopes someday to go back to school. Even as he approaches his 19th birthday, he remains focused and hopeful.

”I haven’t given up my dream yet. I just keep wishing and hoping that one day, my wishes will ride on a horse and fly,” finished off Chinonso, whose name literally means ‘God is near’.

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Kings College Old Boys celebrate 118th Founder’s Day

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The National Executive Council of the Kings College, Lagos Old Boys Association and members are celebrating the school’s 118-year anniversary with an array of events. The association, currently led by Hakeem Bello Osagie as president, has four vice presidents that include the Emir of Kano, Sanusi Lamido Sanusi, Dr. Leke Osunniyi, Kelechi Mbago and Rotimi Aladesanmi.

One of the vice presidents, Rotimi Aladesanmi took time to highlight the achievements of the association and the activities lined up for this year’s celebrations: “Kings College Lagos was founded in September 1909 and so we try to maintain the tradition of celebrating that anniversary every year. The Old Boys Association is a very formidable organisation. We use it as a forum for old boys and also guests from different walks of life. They come to celebrate with us and this year’s celebration would span some days. We already kicked it off yesterday and we had one of our old boy’s based in Liverpool, England, Mr. Tayo Aluko, a renowned stage actor in attendance. He was at the MUSON Center to do a play called Just an ordinary lawyer, which was well received. ”

He added: “We are also going to have a Founder’s Day lecture, which would be delivered by an eminent personality. We would have the Jumaat service here in Lagos and the Founder’s Day dinner. That dinner is a very high point in the celebration every year. In Kings College, we cherish formal dinners; you dress formally and observe all the dinner etiquettes. We are going to have guests from different professions, different schools.”

In addition there would be the Annual General meeting, the congress of all Kings Men as they call the Old boys. “This would take place in the school premises and the meeting would culminate in elections.”

Aladesanmi stressed that the Old Boys strongly believe that there is strength in number and unity. “It is the first unity school that took people from all over the country, irrespective of background; all you needed to do was to have the academic excellence and brilliance and you would be there. For, the Christians, we are also going to have a thanksgiving service at the Cathedral Church of Christ, Marina being the foremost Anglican Church….”

Aladesanmi pointed out that it is this merit-driven society and unity that the nation needs at this critical time. The association will also be holding a novelty cricket match. He revealed that the President of the Cricket Ball Association is an Old Boy; same for the chairman of the Lagos State Cricket Association. He boasted that King’s College is a formidable force in the sport of cricket in Nigeria. “The match would be between the Old boys and the Lagos State cricket team. We also had hockey and football. Kings College is a world renowned brand, I remember when we launched the UK chapter; it was a very wonderful experience; ditto when we launched the North American chapter.”

“We are also going to have a family fun day where Kings Men would bring their families to interact together and get to have real fun together. We believe that the family is the first and foremost unit in society. Any society where the family is dysfunctional is a dysfunctional society.”

Secretary of the association, Lucky Idike, talked about the importance of improving the standards of education. “The falling standard of secondary school education in Nigeria is something that Kings College is worried about. We have been at the forefront of canvassing for a change in the way secondary school education in Nigeria runs. We have been asking government for a while now to allow us to run by public private partnership model, something that allows a lot of stakeholders in the private sector to work with government to deliver services through the secondary schools. About four months ago, we met with the Senate President, Bukola Saraki, who incidentally is a Kings’ College Old boy and we told him that there is a crisis in education and you need to do something urgently about it.”

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Jungle justice: Remembering the Ikorodu three

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Daniel Ayomide Fadeyi takes a retrospective look at the murder of three young men for allegedly being members of the notorious Badoo cult group which has been killing people in Ikorodu.
The dastardly act underlines the horror of jungle justice.

GROWING threat to the peace of the beautiful and industrial city of Lagos is the issue of Jungle Justice. As the name implies, it is an act meant for the “jungle”, where there is no rule of law or institutions saddled with the responsibility of prosecuting offenders. In a jungle justice situation, the “High Court of the Mob”, immediately passes judgment on a person rightly or wrongly accused of committing a crime. In this court, the accused has little or no opportunity of presenting his case, as his ‘judges’ would have declared him guilty apriori and ready to unleash terror on him.

In this celebrated “High Court of the Mob,” the most delivered judgment is the death sentence. In the words of the late Afro-beat music maestro, Fela Anikulapo Kuti in one of his songs, it is a case of “…double wahala for dead body,” as the corpse of the ‘accused’ also gets burnt by the barbaric mob. Except in cases, where the accused finds “mercy” in the sight of his judges, it is almost always a forgone case. And where he is lucky not to get killed, he gets severely beaten and brutalised, and is condemned to grapple with critical health conditions.

Naturally, dreams have been shattered and aspirations cut short in this process. Inevitably, it is innocent people who fall victim, with their families left to bemoan their losses. Such is the case with families of the three young men, summarily lynched for allegedly being members of the deadly Badoo group that had terrorised and gruesomely murdered residents of the Ikorodu neighbourhood of Lagos. The trio were allegedly killed by the “High Court of the Mob” at Oju Emuren area of Odogunyan in Ikorodu on July 2nd (2017). So while that date for some families connotes memorable events like birthdays and anniversaries of memorable events, it has forever become a day of sorrow and anguish for the families of Chinedu Paul (alias MC Think Twice), Abimbola Shola and Owolabi Sunday. The dawn of every July 2nd, will, going forward, remind them of the day their beloved sons, their hope and source of joy were dispatched to the world beyond by an irresponsible mob.

For those who knew him, Chinedu Paul was a fast rising comedian with great talent and potential.  He was said to be returning from a comedy show organised by a popular broadcaster, Ikponwosa Osakioduwa aka IK, where he had also performed, in Victoria Island, Lagos, the day before. On his way back, his Honda CRV Sport Utility Vehicle was said to have developed a fault, causing him to call on his two mechanics, Shola and Sunday to help tow his vehicle for repair. On their way back late into the night, the trio encountered a group of residents and vigilantes keeping watch, as a result of the rampaging Badoo menace. Based on the discovery of engine oil and huge stone – two items, that have incidentally become identified as tools used by the deadly cult group in their operations, they were immediately ‘arrested’ by the vigilante group.  In no time, the “High Court of the Mob” declared them guilty of the allegation, passed instant judgement and they were immediately set ablaze.

This unpleasant incident has severely affected the families and friends of these young promising Nigerians. Afolashade Abimbola, wife of late Shola, has yet to recover from the shock of the death of her husband. To her, their wedding, not too long ago, was a dream come true, but alas, the joy was cut short. Still reeling in the pain of her loss, the graduate of Industrial and Labour Relations and mother of a 15-month old baby reportedly told a popular newspaper that “… I want justice. There should be justice. My husband must not die in vain. They have set me on a journey of sorrow… where do I start now”.

It’s been well over a month since that unfortunate incident, yet the pain and horror will not go away. Her situation is worsened by the fact that she was a full housewife before her husband’s demise. Abimbola has thus been left to struggle alone to take care of herself and the child without a job.

The situation is no different with the other two families. Elizabeth, the younger sister of Chinedu Paul, recently lamented in an interview with Television Continental, TVC that “Paul was an easy going person who would never hurt anyone. He was the only one we looked up to for our needs since our father died 14 years ago…”

Girlfriend of the late comedian, Esther Demshak also lamented that “It’s a great loss which only God can and is still consoling us.” She added that there has been no support for the family from any quarter, as they now only look up to God as their provider. She also complained about the fact that there has been no update from the Nigerian Police on the case.

To some, jungle justice may seems like the best option to prosecute criminal cases, especially in the face of an increasing crime rate and a seeming lack of faith in the police and judicial system, but it remains an evil act, as no life wasted in a moment of error of judgement, can be retrieved.

Police wields the big stick

Significantly, the police have continued to warn members of the public to desist from taking justice into their hands. As if to back its warning and threat, a police officers and two other people indicted in the killing of the Aluu Four five years ago, were sentenced to death by hanging. Just last month, the former Lagos State Commissioner of Police, Fatai Owoseni disclosed that 33 suspects have been arrested in connection with jungle justice in the state. He again warned that there is no justification whatsoever in residents taking the law into their hands to punish any suspects. He reiterated that an accused person can only be declared guilty after he has had his day in court and pronounced guilty by a judge.

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Enhancing literacy in a digital world

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SEPTEMBER 8th every year marks UNESCO International Literacy Day (ILD) celebration. International Literacy Day is celebrated annually worldwide and it brings together governments, multi and bilateral organisations, NGOs, the private sector, communities, teachers, learners and experts in the field of education. It is an occasion to mark achievements and reflect on ways of countering challenges facing the promotion of literacy as an integral part of lifelong learning within and beyond the 2030 Education Agenda.

This year’s theme was “Literacy in a digital world,” and the aim as stated in the message of Ms Irina Bokova, Director-General of UNESCO, was to look at what literacy skills people need to navigate in an increasingly digitally-mediated society, and to explore the effective literacy policies and programmes that can leverage the opportunities that the digital world provides. Also, it aimed at examining the challenges and opportunities in promoting literacy in a digital world.

Speaking on this year’s celebration, founder of Medina Book Club in Lagos, Onyinye Nkwocha expressed his excitement about this year’s theme, saying it is important for our education system in a rapidly evolving generation.

He said, “I believe that disruptions happen because people are thinking of better ways of living and existence. The human mind has proven itself to be capable of creating and recreating wonders when duly applied. The digital expansion in our world today is an example of this. However, my take on all of this, is to find a way of bridging the gap between privileged and less privileged children in society. I say privileged in the sense that they have access to mobile gadgets, Internet access, and opportunities that prepare or equip them for the digital world. And I’m worried about how we can enable an even distribution of these opportunities across board, such that when we get to the future we are all preparing for, everybody would have been duly enhanced.”

He advised anyone that is genuinely committed to literacy not to let anything deter them. He said the reward of an ability to read and write is enormous and limitless. “And so”, he continued, “we must persevere to learn it, teach it, teach our children to learn it, and then teach them to teach it to the coming generations too.”

He stressed that the ‘cycle must not break,’ even as he admitted that the terrain is harder in some places than others. “If you find an equally passionate person working on a literacy project, join hands with him and ensure the impact is greater than if he were doing it alone. Ignore the selfish pull of “what’s in it for me?” and explore the joys of collaboration – WE over ME. One light can only light up a corner of a room, two lights might light up the entire room, but with ten, fifty, or a hundred lights, you have a roaring furnace of positive change.”

On the impact of the Medina Book Club towards improving the literacy in Lagos, he said his club has a passionate team of young people, who share the vision of active social participation. Only last February, he disclosed that the team undertook a classroom project to tutor SS3 students of Ikeja Grammar School in English Language, preparing them for their WASSCE in the process. “It was a necessary action to take because we realised that English Language being a core subject for WAEC can be very disturbing for some students. We wanted to disrupt traditional classroom experience for these students by teaching them in the most memorable and practical ways essays, comprehension, summary and grammar could be approached. Being writers and editors, it was fun passing the knowledge we have gathered outside our classroom experience to the students.”

On why he founded Medina Book Club, Nkwocha said, “Medina Book Club started as a plan to save young writers and readers who for one reason or another have stopped doing that which they first loved- writing and reading. “My co-founder, Chisom Ojukwu and I agreed to create a platform for that purpose and we put words out there via the social media. Our first meeting was an informal meeting of five on the open field of the National Theatre, Iganmu.” He said.

Further meetings showed a big gap, which Medina Book Club has provided a platform. The gathering enables knowledge exchange, dialogue and debate that inspire social participation. Though with a bias for literature, he said the club’s reading list covers spectrum of discipline.

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‘ANA is to help authors’

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Mallam Denja Abdullahi, a poet, playwright and culture administrator, is the president of Association of Nigerian Authors (ANA). In this chat with Edozie Udeze, he speaks about this year’s ANA convention which will hold in Makurdi, Benue State, next month, the issues involved and what this year’s election portends for writers and more.

This is election year for the Association of Nigerian Authors [ANA]. Are you re-contesting? If you are, what new programmes and ideas do you have for the writers’ clan?

Definitely I am re-contesting. I have programmes I am already running with my Executive which we hope to complete in the next tenure of two years if re-elected.Beyond that, we have a strategic plan (2017-2022) which was developed after wide consultation and a rigorous workshop session by my administration. This strategic plan document, which was presented to the congress at the last year’s convention and already being implemented, contains myriad of programmes and projects designed to be carried out in the short,medium and long time over a five year period. I only need to look into it and roll out what is appropriate and logical at any given time to move ANA to the next level.Even after the life of my executive,if elected again in October,the incoming Executive will still have to work with that document.That document is not a frivolous one, it was well thought out and scientific. As it is, the thinking and mapping have been done,all what is needed is the will and resources to implement. Above all ,if re-elected I will concentrate on giving an ANA a befitting writers’ resort which is already underway at the Mamman Vatsa Writers’ village in Mpape,Abuja.

Makurdi, Benue State, host of this year’s convention is under the threat of floods. Any alternative venue if the worst happens?

We commiserate with the Government and people of Benue State on the natural disaster which was similar to the one that happened in 2012. We are currently working out ways on how we can contribute to ameliorating the situation. A lot of our members are affected by the flooding. It affected the ordinary folks in the State and we should all be concerned.However, it is our hope that the flood will soon recede and governments at Federal and State levels are already taking up measures to help the situation.We are sure Benue will be ready to receive us in October 26-29,2017. In the event of that not being possible, we do have a plan B and even C.

ANA is financially handicapped. How would you tackle this for a successful 36th ANA convention?

You are right about our financial constraint,which is perennial. We are creative people and we have been surviving and doing great things in spite of the financial hurdles every year. This Convention will be better planned, which we have started ensuring through the strict pre-registration procedure.We are going to be stricter with procedures when the convention starts. We will run a smart and order-responsive convention.There will be no room for any unwarranted assumptions on the part  of delegates to the convention. Attendees must fulfill all the conditions of attendance for us to have a smooth convention. We have approached our traditional sponsors and we are expectant of their support. The Benue State Government will also be hosting and deploying required facilities and hospitality. I assure you that we will do a memorable convention.

Let’s look at your two years in office. How do you assess your tenure so far?

I have fulfilled my major campaign promises. If you go back to look at my campaign document of 2015 called “ The Pragmatic Deliverables” vis a vis my scorecard for the near two years I have been on the job, you will discover I have achieved with my team, not less than 70% of what I promised. Some people have even told me, after reviewing our Scorecard which is already a public document on the social media and on our website, that we have done too much for just two years.

Any new initiatives for upcoming writers?

We have expanded the mentoring scheme for younger writers under our Young Writers Mentoring Scheme. We are going to take it further in the near future with workshops and literary agency scheme. Even the recent publication of the  three new titles under the Nigerian Writers Series II scheme is an initiative that has supported the birthing of upcoming writers. We will support upcoming writers appropriately as befits their fledgling writing careers.

What’s your comment about the NLNG shortlist,for this year,being a poet yourself?

 All the poets on the shortlist and their books are good enough for the Prize. But the determination of the ultimate winner is the judges’ prerogative.When that comes, there is nothing anyone can do but to accept it and move on.

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Making Freedom Park spectacular

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Dayo Adebayo is a fine artist; but one of those itinerant painters without a permanent workshop.  He paints, draws and designs mainly for schools.  For many years now, he has been drawing and painting mostly alphabets on school walls in Epe and its environs.  But his art has taken him to Freedom Park, Broad Street, Lagos, where he has been contracted to paint one of the walls at the Park.  The paintings are local objects of drums, ekwe, gongs, guitar, crown for kings, the FESTAC ‘77 symbol and head of Queen Idia of Benin and so on.

“Yes, I was given the contract to do the paintings by someone I don’t want to mention his name”, Adebayo told this reporter who visited him while at work.  The wall he was painting has the statues of Dr. Nnamdi Azikwe, Chief Obafemi Awolowo and Alhaji Ahmadu Bello, three Nigerian nationalists emblazoned on its frontage.  With these statutes it was obvious that Adebayo’s paintings were meant to complement them and give the wall a special aura.  Together, the art works have given the wall a special status in the park.  And most visitors to the park see those works as historical relics of a nation where its former leaders laboured to give freedom to the people.

Adebayo’s works coming in colours is to give quintessential aura to the arena.  As he mixed the paints to produce colourful colours that befit an arena of Freedom Park calibre, he looked deep and focused at his palette to see if he got it right.  “Oh, yes”, he explained, “these colours are meant to suit these objects.  The objects represent different ethnic groups in Nigeria.  You have some from Yoruba, Igbo, Hausa.  You, also have the ones from Benin, Edo State; the one that is the symbol of the FESTAC’77 is also included”, he said.

Trained at Olowu, one of those roadside art studios at Ikeja, Lagos, Adebayo said that art is his life.  “I love it when I do this sort of art.  It is good; it appeals to all lovers of the visual.  It is not too elitist; it is meant to explore mainly our local art forms.  That is why I often engage in it.  I want always to do grassroots art pieces that dwell on what people live with everyday.  That way, I am at home with people; they love what I do and I love to give them what they want to see”, he explained, grinning.

As a specialist in arts on walls which is not necessarily mosaic, so to speak, Adebayo ensures he uses deep colours for the necessary effects.  “Yes, I have done paintings and drawings on many schools at Awuyaya area of Epe, Lagos State.  Over there, I am well-known.  It was due to those beautiful and outstanding works of mine that made them to give me this contract.”

The idea to beautify Freedom Park arena with art works, is to make it more attractive to fun seekers who visit there almost on a daily basis.  For now, Freedom Park has come to represent an ideal relaxation spot not only for art lovers, but for people from far and wide who go there to unwind, drink, watch plays, et al.

Freedom Park, was a colonial prison where many Nigerian nationalists who stood against British obnoxious rule were incarcerated.  Dr. Nnamdi Azikwe, Nigeria’s first president, was also a one-time prisoner there.  It was then known as Her Majesty’s Colonial Prison.  But today it has been redesigned to suit the principles of an ideal public park.  Inside it, are still relics of yesteryears but with serious modifications.  First time visitors are usually taken round the esplanade to see the different locations and scenes, and what they represented in the days of yore.  A scenic atmosphere, Freedom Park has rooms for different theatrical performances, eateries, bars, stages for musicals, exhibition halls, discussions and more.

So, Adebayo’s work on the wall, go a long way in deepening that sense of history.  With some other outdoor works littered here and there in the gardens, his works sure blended with them to give the park a splendid spectacle.

The work, like he explained, would take him four days to complete.  It would be four days of devising different objects of cultural values that touch on people’s heritages.  “I first of all sketch the objects on the wall.  I do this with a pencil, then I begin to paint.  The outline of that pencil helps me to trace the object properly with my brush”, Adebayo said.

Nobody told him what to draw.  All the objects on the wall came from his own imagination.  “Nobody told me what to draw.  The inspiration came from my head.  As I am here now, one more may come and I will note it.  As an artist, you are bound to have inspiration from time to time.  The moment your head is blank, you have nothing then to offer.  Creativity comes from that inspiration; from imagination in your head.  This is why I have various art works that come in different colourful backgrounds.  I first of all gave satin colours to the wall to make it easier for the sketches to stand.  This done, I allowed the colours to dry and brighten a bit before the proper painting commenced”, he said.

A colourist who loves all the blends of blue colours, Adebayo noted that blue gives him luck.  “Yes, blue gives me blessings, blessings from God; blessings from what I do.  All kinds of blue, whether it is sky, navy or light blue, I use them a lot”, he said with a glimmer of hope on his face.

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Exploring the Canadian frontiers

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Author: Alaba Ojapinwa
Title of Book: Skilled Migration Canadian Experience
Year of publication: 2016
Number of Pages: 200 pages
Reviewer: Debo Ikuesewo-Akinbami

Nigration has been with and in man since creation. The bare fact that it’s even as old as the first man is sufficient credence to the locution that it’s in the nature of man as it’s with lesser creatures to alternate between environments, in search for difference, notwithstanding the latitude. It’s in us, innately, as humans, (even animals) to seek and move in the direction of relative comfort, where life is richer and better, where the grass is greener and the land fertile or fertilised.

Today, migration has become about the biggest deal. The theme continues to sprout shades of discusses, spurring issues in politics, international relations, religions, economy and remains a regular subject of investigation within the knowledge industries. As migration generates and attracts diverse enquiries and prospective migrants seek diverse answers to hearty queries by which they can measure the consequence of migrating, as they itch for competent compass that should determine the propriety or otherwise of related actions, or that should fortify their resolve to sojourn, the birthing of this book becomes apt as apposite.

The book, ‘Skilled Migration, Canadian Experience ‘ is written for persons, institutions and purposes. It addresses salient issues of worry to government and citizens alike. It nudges governments of nations to work to better humanity where and how it matters to achieve global peace as it speaks instructively to migration intents, raising cautious flags about ubiquitous illusory notions and bruises the seeming inertia in societies with issues that pushes citizens abroad. The work that tasks the western world (especially Canada) to up it cares also carefully undresses unrighteous myths, portrays the other sides of the coin, while challenging stressed countries to new thinking and difference. The treatise of the themes of remittance and its economic implications, loss of cultural identity and values, family separation and breakdown bring especially lessons to source countries, even Nigeria.

Alaba Ojapinwa who is a skilled Nigerian-Canadian migrant, learned by first-hand experience and dispassionately provides reliefs for those fears and anxieties that usually come with the migration plans. A number of issues raised in the book are edifying as they are instructive. From experiential bank, Ojapinwa admits that western clime is one with limitless opportunities and possibilities, yet he laments the attendant hitches some of which he identified as late or outright non-integration, poor skilled job prospects and anti-migrant sentiments.

However, the book neither promotes nor dissuades citizens from migration as it appreciates both sides and sizes of the motivation that either pulls or pushes a citizen to the plan – alibis which range from quest for fatter income to opportunity for thorough training, health and financial securities. Even the lure of good infrastructure attracts many, away from the debilitating condition of public facilities in the Third World Countries.

Ojapinwa contends that citizens should leave their countries in order to improve their skills and economic conditions. The author believes that some governments and societies have, either purposely or inadvertently, created conditions that push citizens to other lands for inferior situations. It’s, in his words, the height of irresponsibility and failure for any government to encourage a situation whereby her citizens travel to another country for reasons of low-wage jobs, safety or survival. I cannot agree more.

From a vantage, Ojapinwa objectively discusses the challenges of the west, the flaws and failings of the host countries with a view to signpost them to the authorities and rouse them to righting the wrongs. He pointedly argued that migrant target countries, including Canada should ascertain genuine need before bringing in skilled migrants since it’s a common occurrence that far too many skilled migrants travel without a chance of ever finding a job in their areas of training or experience.

‘Skilled Migration’ is a sure ticket to getting the tickets in one’s strife to be correct for migration and to be at advantage in the event of uncertainties. The prospective migrants, either as individuals or families will sure find a worthy guide in the quest to have travelling prospects. Alaba Ojapinwa, a Pharmacist who delves into writing and towers in both spheres has, again, done the world a world of worth.

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‘We publish stories that mean a lot’

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In the past few years, books published by Parresia Book Publishers have been making waves on the literary scene.  One of its books clinched the NLNG Nigerian Literature Prize in 2015. Another work titled: A Good Mourning, by Ogaga Ifowodo made the shortlist of three this year.  Richard Ali, lawyer, poet and co-founder of Parresia Books, in this interview with Edozie Udeze addresses some of the reasons why its authors do well and the secret behind the firm’s success.  Excerpts 

In a few weeks from now another book by your company Parresia Books may be announced winner of this year’s NLNG Nigerian Literature Prize. How do feel about this?

I feel very excited because this year again, we have an author in the running for the prize. Ogaga Ifowodo made the shortlist of three with his collection, A Good Mourning. Let’s say, as publishers, we have been excited ever since he made the earlier longlist. Of course, there are several other of our poets whose works we feel very strongly about enough to publish and submit who did not make it. I feel that these poets being on the longlist would have had me even happier but prizes all have their own dynamic and it is beyond what even I, as a publisher, think great poetry is. It is enough for me that Dr. Ifowodo is on the list and in the running. It means what we are doing is good and we are on the right track re: poetry. As for the award ceremony, we will keep our fingers crossed. May the best poet win.

Talking about poetry, I would like to mention a new imprint called Konya Shamsrumi which is edited by 2017 Brunel Prize shortlisted poet, Kechi Nomu. It is affiliated to Parrésia through our foundation for Arts and Literature. It is an imprint we hope to grow to be the most definitive in Africa and we will rely on our poets, including Ogaga, Musa Idris Okpanachi and Amu Nnadi, to help achieve this. Konya Shamsrumi has at its core the KSR Collective which comprises Kechi Nomu, Umar Abubakar Sidi, Rasaq Malik Gbolahan, Funmi Gaji and myself.

Season of Crimson Blossoms by Abubakar Adams Ibrahim which was also published by Parrésia, won the prize two years ago. It was equally acclaimed a huge success. How did you foresee this potential?

Not so much potential as talent. Abubakar’s talent has been known to us for a long time now, you would recall that we published his debut collection of stories, The Whispering Trees. When we received the manuscript of Season of Crimson Blossoms from him, we knew it was an important book—he had my attention from the very first paragraph and it was the same with Azafi. His editor, the truly great Ellah Allfrey, was equally impressed and worked with him and us on the book for several months. Of course, we did not set out to win awards, only to get an important story out there. Our motto at Parrésia is “your words, in trust” and what we do is create a platform to introduce, project and secure important stories. When the writers we care about win awards and recognition and accolades, we feel like midwifes who have birthed a baby when that same baby grows well and strong. Publishing is a composite activity of several parties all come together because they recognize talent and want to bring the very very best out of it. The rest is extra.

A lot of critics are  of the opinion that Parresia’s business consciousness is to publish only award-bound writers. What is your reaction to this?

Oh, I’m clear about it that such critics are either being mischievous or just being silly. We love each and every one of our books and what gets our attention is talent. If your emphasis is on talent, and you work on that, it’s likely that accolades will follow but that is not a strict science. Abubakar was the very first writer who trusted our then fresh new publishing house with his manuscript in 2012/13. He had won the BBC African Performance prize for a play in 2008, but no one imagined The Whispering Trees would be shortlisted for the Caine Prize that year. Nor is there a formula to predict that we would be the only in-Africa publishing house with work on the Caine shortlist that year. Emmanuel Iduma, Chika Unigwe, Amara Nicole Okolo, Ifesinachi Okoli—we all published their books and these books are being enjoyed by readers country-wide, but the books have not necessarily won awards, nor do they need to to validate their talent or inform our decision. Helon Habila and Molara Wood as well. What you must understand though is that in publishing, your writers quickly become like family and you all, publisher and entire authors list, share the successes of each individual member of the house as it were. Consequently, I am always interested in seeing the next manuscript of people we have published already. Even with this, we always ensure we publish new voices no one has heard of, we take that risk every year.

Ogaga Ifowodo’s A Good Mourning that is on the shortlist rings with ironies and hyperbole. How did you arrive at the title of the poetry collection?

The title came from him. Poetry is a very tricky genre in that there is very little you can do with it. A work either has the quality of poetry in it or it does not, and this quality, which I call poetry, the poetry of the poem if you like, is something only the poet can give. The poet, in turn, can only give to his creation what he has, cannot give more or less than what he possesses. How does a poet come to possess poetry? Now, that, my friend, is the question of the centuries. I mean whether it is inborn or can be learnt, whether it is intuitive or if experience forms it. So, when as a publisher you come across a work that has that elusive quality I have called the poetry, you approach it with respect. A Good Mourning is a perfect collection, from the name to the poems to the poetic vision that formed it. Changes were very minimal.

Can you tell us in a broader perspective what qualifies a manuscript to attract Parresia’s attention?

That’s a tight question, very hard to answer. Perhaps the best indicator would be to read what we have published? There’s got to be something beneath them all that might indicate a Parrésia quality? I like to think that what sets out our Parresia Books and select Origami Books is an uncanny perspective to the world. Beyond being well written, and beyond even the talent of an author, the story has to mean something, whether it is the relationship between an older woman and a younger thug in a conservative northern Nigeria or a collection that explores fragile national stories through unusual points of view, or the peculiar balance of women and their mothers. There must be that something. This is the best I can do. Perhaps literary critics can help with this further? Another thing, our resources are limited and we publish just a few mass market books each year, often under ten books. As a business, you cannot publish all the great books that come your way and compromises and balance are always called for.

What would you say is your contribution to the promotion of African, more so, Nigerian literature?

Azafi and I have created, in Parrésia Publishers Limited, one more platform for projecting our best words in a continent where there are not enough platforms.

Most aspiring writers do not know some of the whims of this business of the assessment and acceptance of manuscripts. How does Parrésia come in here to assist?

There is very little we can do. I always advice writers to not send in their first draft, often of their very first work. Literature takes quite some doing to get right. A writer needs criticism and feedback, needs several rewrites and in some cases, re-imaginations, before a manuscript is ready for the publisher. A first draft will be rejected out of hand and this might discourage the writer or, amusingly, justify their own feelings of inadequacy by providing a big bad publisher to malign and rant against. A better draft has a greater potential to catch attention. Also, before sending out work to a publisher, try and read what they have published prior. Just as before setting out to write a book at all, you should have read books widely. A publisher is, at the bottom of it, a businessperson and while he may be sentimental about books, he is not a charity really and cannot teach people how to write.

The post ‘We publish stories that mean a lot’ appeared first on The Nation Nigeria.

‘Nigerians do not believe in Nigeria’

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Nigeria is in anundesirable state because its citizens do not exhibit the intangible identifiers of nationhood,”  university don Dr. Chukwuedozie Ajaero  has said.

He said the hindrance to the country’s development was not the demographic burden, but the palpable lack of trust, believe in, and commitment to the Nigerian concept.

Ajaero, a senior lecturer at the Department of Geography, University of Nigeria, Nsukka, spoke at a roundtable organised by the Centre for Public Policy Alternatives (CPPA), a non-partisan public policy think-tank based in Lagos.

“None of our structural, political and economic challenges is peculiar. What we lack is a sound conscience, moral leadership, commitment and the will to implement good policies. All of these are not quantifiable,” he noted.

The event was convened by CPPA to proffer workable solutions to Nigeria’s demographic challenges, and convert what could be a liability to an asset. Nigeria’s population is projected to reach 400 million by year 2050.

Head/Specialist UNFPA (Lagos Liaison office), Dr. Omolaso Omosehin said the bane of development in Nigeria is the lack of capacity to plan and prepare for the future.

According to him, “an increasing population is not necessarily a problem; what makes the difference is planning.”Also present at the event were Prof. Victor Okoruwa, Dr. SalisuIshiaku, Funmi Ayeni, Olusegun Sotola, and Olayinka Ogidie.

Parish Priest, St. Philip and James Catholic Church, Lekki, Monsignor Francis Ogunmodede  stated that unlike the misconceptions, the Catholic Church does not promote unregulated procreation. Rather, the church advocates natural planning methods, reasonable procreation according to capacity to care and respect for human dignity.

Senior Research Fellow at the Institute of African Studies, University of Ibadan Dr. Senawon Olaoluwa noted that the area now called Nigeria has always been densely populated; this is nothing new.

The main concern should be what to do with the population. Is Nigeria becoming a nuisance to other societies? How do we manage our resources?

He stressed the need to move beyond extractive activities (mineral resources) to harness our productive, inventive capacities (human resources).

Research &Programmes Director (CPPA), Ms. Mojisola Akpojiyovbi, stressed the importance of education, advocacy and human capacity development as effectual tools that can manage population growth, and also enable optimal use of Nigeria’s physical and human resources.

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ECOBA gives awards to exceptional students

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Ihe Edo College Old Boys Association (ECOBA) has presented awards to some students of Edo College, Benin City, for exceptional performances in various subjects in the last academic session. The award plaques and cash prizes were presented to the students at the graduation/prize giving ceremony organised by the  the school recently.

The ceremony, which was part of the activities to mark the end of 2016/2017 academic session, had in attendance many dignitaries, including Mr. Arnaud Dornon, the French Cultural Attachee in Nigeria; Ambassador Vincent Okobi, who chaired the event and Head of Service, Edo State Civil Service Commission, Mrs. Gladys Idahor, represented by Permanent Secretary, Edo State Civil Service Commission, Reverend S.O Uwuangue.

The recipients were Erokpadamwen Andrew, who won Senator David Dafinone’s prize for Further Mathematics in SS3, the Godwin Ize-Iyamu prize for Mathematics in JSS 3 students went to  Ajah Success Ifeanyi, the Senator David Dafinone Foundation prizes for Economics  and Accounts in SS3  were clinched by Eguavoen  Constance, the Edward Iyamu prize for Physics  in SS3  was given to Igbinijesu Samuel, the SS3 prize for Fine Art, donated by Michael Omo-Osagie, went to Akhigbe Ofure,  Air Vice Marshall Joe Ehigie’s prize for Drama was given to Enofe Eseosa, Osazenaye Osarenkhoe’s prize for Agricultural Science in SS3 was awarded to Uwadiae  Erickson who also won the Madam Ofure Akpata’s prize for Biology, while the Omaha Endowment Foundation prize for Geography went to Odoemenem Chinedu.

At the JSS 3 level, Ambassador Vincent Okobi’s prize for Best student in French was given to Ehimhen Stevenson

Other award recipients were Igbinijesu Samuel who won the Overall Best Performing student award, Okeghemu E. Emmanuel, Best Performing Student in JSS 3 and Igiehon Ekpenede who bagged the most hard-working student award.

In the staff category, Jeffery Igbinedion won the Best Administrator award, Ifueko Evbenage, Best English Teacher award, while Mrs. Ighile Esther was awarded Most Resourceful Staff.

Chairman on the occasion, who is also an old boy of the college, Ambassador Okobi congratulated the students for their success after many years of study in the school.

The Principal, Mr. Raphael Omorogbe, congratulated the graduating students, saying the boys have done well by upholding the true value of the college, and for obeying the rules and regulations.

Omorogbe appreciated parents and staff for their support throughout the 2016/2017 academic session, stressing that the occasion wouldn’t have been possible without their moral and financial support.

In his lecture, the Dean, Faculty of Education, University of Benin,Prof E.O. Iyamucommended the hard-work of the students and admonished them to stay away from any form of deviant behavior that might put them and their parents to shame.

He encouraged the students to always have regard for constituted authorities and obey rules and regulations wherever they find themselves. He added that they should keep on the reading culture as they have already been equipped with tools to guide them towards excellence.

Also advising the students, the Head of Service, Edo State Civil Service Commission, Mrs. Gladys Idahor represented by the Permanent Secretary, Edo State Civil Service Commission, Reverend S.O Uwuangueadvised the graduating students to be good ambassadors of the school by keeping the ball rolling anywhere they find themselves.

Also speaking at the occasion, the Honorable Commissioner for Education, Edo State,Mr. Christopher Adesotu represented by Mrs. A.P Joel congratulated all students of the school, which according to her, is known for academic excellence and assured them of success.

Highlights of the event was thepresentation of a song by Heavenly Voices, cultural display by Edo College’s Cultural Club, special presentation by members of the press club of the graduating class.

The event also featured presentation of awards and prizes for excellence by ECOBA to outstanding students and staff, while awards for best French class and best French students was presented by the chairman of the occasion Ambassador Okobi.

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Odeh out with Guns of Power

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Former Director General of the National Film and Video Censors Board, Rosaline Odeh, has released a new book Guns of power. The book which trails incisively the  tumultuous love affair between a young couple; one a soldier whose involvement in a military coup in an African country trumps him up as Head of State and the other a young village university undergraduate has been received well.

United States-based Strategic Book Publishing and Rights LLC, publishers of Guns of power, also confirmed that the book is selling fast on Amazon and other book stores across the US and United Kingdom.

Readers are tripped by the lucidity, pace and suspense of the author who was the biographer and head of research and documentation at the Federal Ministry of Information.

In a chat recently, Odeh said she was on sabbatical and dusted a manuscript written several years ago to retouch it when publishers snapped it up.

To an insider at Strategic Books, Guns of power is doing well since it was published. Our editors knew we had a bestseller in our hands when they first read the manuscript”.

According to the publishers, Guns of power, a love story during military rule in West Africa, reflects life in the 1960s when coups were rampant. In the novel, John, a young military officer falls in love with Noma, a young undergraduate at the university.

”Their love story takes a dramatic turn when John becomes the head of state after a coup. The politics and intrigues that follow are mindboggling and tragic.

Odeh was editor of Who Is Who InNigeria, a compendium published by the Federal Ministry of Information. She also wrote biographies of Nigerian leaders and heads of states before her meritorious retirement from Nigeria civil service. After her years  as Director  General National Film and Video Censors Board, she retired again to run Grotto Afrique; Gallery of History which is a store for  Nigeria’s historical information in Abuja Nigeria.

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